Tiësto — 10:35 (feat. Tate McRae) (Piano Sheet Music)

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*Other Tiësto sheet music:* youtube.com/@sheet-music/search?query=Tiësto
*Other Tate McRae sheet music:* youtube.com/@sheet-music/search?query=Tate
Made by request.
An accurate transcription for easy *piano* notated precisely as it should be performed to reduce ambiguity. Lyrics and vocables _("ah-ah"s)_ are always included in my sheet music because I think we should always *sing* while playing piano (even classical pieces). Intermediate piano players can *re-arrange* the left hand by breaking harmony *chords* in arpeggios or other bass patterns.

Bookmark and *play the synthesia video with 0.5 speed to practice the song.* Printscreen to save instead of *pdf* — Chrome extensions like "youtube screenshot" make HQ pictures.

*ABOUT THE SONG*
Like other Tiësto's songs, the track is plain and simple:

_"10:35"_ has a hook with *hard swing feel* (ratio 3:1, a dotted eighth note + a sixteenth note). This rhythm provides a simple melody with energy. It is hard to count for beginners so practice _"10:35"_ slowly and play along with the recording.

To keep listeners attention, the chorus was made to be the biggest part of a song. It colored it *blue* for your convenience: it is easier to learn a piece of music when you have a mental scheme of it. The first and second verses/choruses are different: the vocal line was gradually stripped down of echoes by Tiësto. If some notes prove too difficult to play, simply omit them focusing on emotions instead of sightreading.

_"10:35"_ is a song with a homophonic arrengement — the instrumental part provides a harmony to support the vocal but lacks its own melody. The melody is confined to remain exclusively in the uppermost voice.

Vocal in the original track is relatively rigid but not precisely timed and has subtle bends and slides that are *impossible* to convey on piano with a fixed pitch of the keys. All slurred notes are vocal bends and to should be barely heard.

_"10:35"_ is transcribed in the original *key,* B Flat Minor, and uses a mix of major and minor chords. A chord change marks time and musical structure rather than creates a meaningful harmonic pull.

The last bar with the tonic chord is added by me. Modern commercial music doesn't resolve on tonic to push a listener to repeat the track on a streaming service.

Of course I consider filling your *requests* of sheet music except for not popular tracks.

*CHAPTERS:*
00:00 Skip this part
00:24 Verse I
01:32 Verse II
02:48 Recommended Videos:
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