Bach - Partitas Nos. 1,2,3,4,5,6 BWV 825-830 / REMASTERED (Century's recording: Glenn Gould)
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Album available // Bach: Partitas Nos. 1 - 6, BWV 825 - 830 by Glenn Gould
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Johann Sebastian Bach (1685-1750) 6 Partitas by Glenn Gould / Remastered
00:00 Partita No. 1 in B-flat Major, BWV 825 - I. Prelude
01:52 Partita No. 1 in B-flat Major, BWV 825 - II. Allemande
03:45 Partita No. 1 in B-flat Major, BWV 825 - III. Courante
05:29 Partita No. 1 in B-flat Major, BWV 825 - IV. Sarabande
08:38 Partita No. 1 in B-flat Major, BWV 825 - V. Menuet I; Menuet II
10:05 Partita No. 1 in B-flat Major, BWV 825 - VI. Gigue
11:25 Partita No. 2 in C minor, BWV 826 - I. Sinfonia
15:37 Partita No. 2 in C minor, BWV 826 - II. Allemande
18:51 Partita No. 2 in C minor, BWV 826 - III. Courante
20:41 Partita No. 2 in C minor, BWV 826 - IV. Sarabande
23:16 Partita No. 2 in C minor, BWV 826 - V. Rondeaux
24:51 Partita No. 2 in C minor, BWV 826 - VI. Capriccio
26:38 Partita No. 3 in A minor, BWV 827 - I. Fantasia
28:24 Partita No. 3 in A minor, BWV 827 - II. Allemande
30:29 Partita No. 3 in A minor, BWV 827 - III. Corrente
32:34 Partita No. 3 in A minor, BWV 827 - IV. Sarabande
34:35 Partita No. 3 in A minor, BWV 827 - V. Burlesca
36:21 Partita No. 3 in A minor, BWV 827 - VI. Scherzo
37:15 Partita No. 3 in A minor, BWV 827 - VII. Gigue
38:41 Partita No. 4 in D Major, BWV 828 - I. Overture
44:15 Partita No. 4 in D Major, BWV 828 - II. Allemande
50:40 Partita No. 4 in D Major, BWV 828 - III. Courante
54:20 Partita No. 4 in D Major, BWV 828 - IV. Aria
55:47 Partita No. 4 in D Major, BWV 828 - V. Sarabande
1:00:39 Partita No. 4 in D Major, BWV 828 - VI. Menuet
1:01:53 Partita No. 4 in D Major, BWV 828 - VII. Gigue
1:03:39 Partita No. 5 in G Major, BWV 829 - I. Praeambulum
1:05:27 Partita No. 5 in G Major, BWV 829 - II. Allemande
1:07:18 Partita No. 5 in G Major, BWV 829 - III. Corrente
1:07:58 Partita No. 5 in G Major, BWV 829 - IV. Sarabande
1:10:01 Partita No. 5 in G Major, BWV 829 - V. Tempo di Minuetto
1:11:06 Partita No. 5 in G Major, BWV 829 - VI. Passepied
1:11:53 Partita No. 5 in G Major, BWV 829 - VII. Gigue
1:13:33 Partita No. 6 in E minor, BWV 830 - I. Toccata
1:23:26 Partita No. 6 in E minor, BWV 830 - II. Allemande
1:25:31 Partita No. 6 in E minor, BWV 830 - III. Courante
1:27:50 Partita No. 6 in E minor, BWV 830 - IV. Air
1:28:34 Partita No. 6 in E minor, BWV 830 - V. Sarabande
1:32:13 Partita No. 6 in E minor, BWV 830 - VI. Tempo di Gavotta
1:33:05 Partita No. 6 in E minor, BWV 830 - VII. Gigue
Piano: Glenn Gould
Recorded in 1957-63
New mastering in 2022 by AB for CMRR
❤ Join us on our WhatsApps fanpage (our latest album preview): https://bit.ly/3Mraw1r
🔊 Discover our new website: https://www.classicalmusicreference.com/
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): https://bit.ly/370zcMg
The challenge of this remastered edition was to give homogeneity to a series of recordings made over a period of 6 years in mono and stereo. The Hi-Res treatment (high resolution) has allowed to give a presence never reached before to Glenn Gould's playing. Although Youtube has improved the quality of these video encodings, the sound quality will be much better on platforms such as Qobuz (hi-res) Deezer (hi-fi) ... which benefits from a listening quality without any compression of audio files (see links at the top of the description above).
Clavier-Übung is the German term for "keyboard practice". In the late 17th and early 18th centuries, it was the generic title for collections of keyboard music, first popular after its adoption by Johann Kuhnau, although today the term is usually associated with Johann Sebastian Bach's publication series. At the age of forty, Bach wrote this Clavier-Übung, one of the most important collections of keyboard literature, with an impressive mastery and depth. Here, as is often the case with Bach, virtuosity is a virtue: that of reconciling in a global vision the diversity of Baroque music and language in a demanding balance.
First published separately in Leipzig between 1726 and 1730, the six Partitas appeared in 1731 as Bach's Opus 1. This collection became the first part of the Clavierübung. The six Partitas for harpsichord (BWV 825 to 830), sometimes called "German Suites," are the last major collection in which Bach practiced the keyboard suite, and it is the one in which he reached the peak of his art.
***COMPLETE PRESENTATION: LOOK THE FIRST PINNED COMMENT***
Bach by Marcelle Meyer - Complete Inventions & Sinfonias, Partitas, Toccatas, Italian Concerto .. (Century's recording): https://www.youtube.com/watch?v=spHBTyagfZ4&t=5680s
Johann Sebastian Bach PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxOLRwxl1dEfDrH3c8mX5UB1
🎧 Qobuz (Hi-Res) https://bit.ly/3NEXQVl Deezer (Hi-Fi) http://bit.ly/3OkhapO
🎧 Amazon Music (Hi-Res) https://amzn.to/3RVZWmf Napster (Hi-Fi) https://bit.ly/3tuDJlF
🎧 SoundCloud (aac) http://bit.ly/3V0X9qy Youtube Music (mp4) http://bit.ly/3tPdi6F
Johann Sebastian Bach (1685-1750) 6 Partitas by Glenn Gould / Remastered
00:00 Partita No. 1 in B-flat Major, BWV 825 - I. Prelude
01:52 Partita No. 1 in B-flat Major, BWV 825 - II. Allemande
03:45 Partita No. 1 in B-flat Major, BWV 825 - III. Courante
05:29 Partita No. 1 in B-flat Major, BWV 825 - IV. Sarabande
08:38 Partita No. 1 in B-flat Major, BWV 825 - V. Menuet I; Menuet II
10:05 Partita No. 1 in B-flat Major, BWV 825 - VI. Gigue
11:25 Partita No. 2 in C minor, BWV 826 - I. Sinfonia
15:37 Partita No. 2 in C minor, BWV 826 - II. Allemande
18:51 Partita No. 2 in C minor, BWV 826 - III. Courante
20:41 Partita No. 2 in C minor, BWV 826 - IV. Sarabande
23:16 Partita No. 2 in C minor, BWV 826 - V. Rondeaux
24:51 Partita No. 2 in C minor, BWV 826 - VI. Capriccio
26:38 Partita No. 3 in A minor, BWV 827 - I. Fantasia
28:24 Partita No. 3 in A minor, BWV 827 - II. Allemande
30:29 Partita No. 3 in A minor, BWV 827 - III. Corrente
32:34 Partita No. 3 in A minor, BWV 827 - IV. Sarabande
34:35 Partita No. 3 in A minor, BWV 827 - V. Burlesca
36:21 Partita No. 3 in A minor, BWV 827 - VI. Scherzo
37:15 Partita No. 3 in A minor, BWV 827 - VII. Gigue
38:41 Partita No. 4 in D Major, BWV 828 - I. Overture
44:15 Partita No. 4 in D Major, BWV 828 - II. Allemande
50:40 Partita No. 4 in D Major, BWV 828 - III. Courante
54:20 Partita No. 4 in D Major, BWV 828 - IV. Aria
55:47 Partita No. 4 in D Major, BWV 828 - V. Sarabande
1:00:39 Partita No. 4 in D Major, BWV 828 - VI. Menuet
1:01:53 Partita No. 4 in D Major, BWV 828 - VII. Gigue
1:03:39 Partita No. 5 in G Major, BWV 829 - I. Praeambulum
1:05:27 Partita No. 5 in G Major, BWV 829 - II. Allemande
1:07:18 Partita No. 5 in G Major, BWV 829 - III. Corrente
1:07:58 Partita No. 5 in G Major, BWV 829 - IV. Sarabande
1:10:01 Partita No. 5 in G Major, BWV 829 - V. Tempo di Minuetto
1:11:06 Partita No. 5 in G Major, BWV 829 - VI. Passepied
1:11:53 Partita No. 5 in G Major, BWV 829 - VII. Gigue
1:13:33 Partita No. 6 in E minor, BWV 830 - I. Toccata
1:23:26 Partita No. 6 in E minor, BWV 830 - II. Allemande
1:25:31 Partita No. 6 in E minor, BWV 830 - III. Courante
1:27:50 Partita No. 6 in E minor, BWV 830 - IV. Air
1:28:34 Partita No. 6 in E minor, BWV 830 - V. Sarabande
1:32:13 Partita No. 6 in E minor, BWV 830 - VI. Tempo di Gavotta
1:33:05 Partita No. 6 in E minor, BWV 830 - VII. Gigue
Piano: Glenn Gould
Recorded in 1957-63
New mastering in 2022 by AB for CMRR
❤ Join us on our WhatsApps fanpage (our latest album preview): https://bit.ly/3Mraw1r
🔊 Discover our new website: https://www.classicalmusicreference.com/
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ): https://bit.ly/370zcMg
The challenge of this remastered edition was to give homogeneity to a series of recordings made over a period of 6 years in mono and stereo. The Hi-Res treatment (high resolution) has allowed to give a presence never reached before to Glenn Gould's playing. Although Youtube has improved the quality of these video encodings, the sound quality will be much better on platforms such as Qobuz (hi-res) Deezer (hi-fi) ... which benefits from a listening quality without any compression of audio files (see links at the top of the description above).
Clavier-Übung is the German term for "keyboard practice". In the late 17th and early 18th centuries, it was the generic title for collections of keyboard music, first popular after its adoption by Johann Kuhnau, although today the term is usually associated with Johann Sebastian Bach's publication series. At the age of forty, Bach wrote this Clavier-Übung, one of the most important collections of keyboard literature, with an impressive mastery and depth. Here, as is often the case with Bach, virtuosity is a virtue: that of reconciling in a global vision the diversity of Baroque music and language in a demanding balance.
First published separately in Leipzig between 1726 and 1730, the six Partitas appeared in 1731 as Bach's Opus 1. This collection became the first part of the Clavierübung. The six Partitas for harpsichord (BWV 825 to 830), sometimes called "German Suites," are the last major collection in which Bach practiced the keyboard suite, and it is the one in which he reached the peak of his art.
***COMPLETE PRESENTATION: LOOK THE FIRST PINNED COMMENT***
Bach by Marcelle Meyer - Complete Inventions & Sinfonias, Partitas, Toccatas, Italian Concerto .. (Century's recording): https://www.youtube.com/watch?v=spHBTyagfZ4&t=5680s
Johann Sebastian Bach PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxOLRwxl1dEfDrH3c8mX5UB1
